{"product_id":"356-fall-2026-borders","title":"356 FALL 2026 Borders","description":"\u003cp\u003eThe language of borders has become inescapable. It shapes political discourse and public debate, but also the ways in which images circulate, technologies operate, and communities imagine themselves. Today, borders are no longer confined to the edges of territories; they emerge through infrastructures, memories, architectures, and systems of representation, revealing themselves as dynamic sites where identities, geographies, and forms of belonging are continually negotiated.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe fall issue of \u003cem\u003eFlash Art\u003c\/em\u003e, titled “Borders,” approaches the border not as a fixed geopolitical line but as a condition that permeates contemporary life. Bringing together artists and writers whose practices unfold across different cultural and geographic contexts, the issue explores borders as spaces of conflict and translation, exclusion and encounter, asking how art can make visible the forces that shape our present while imagining other ways of inhabiting it.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe issue presents three cover stories. \u003cstrong style=\"font-weight: bold;\"\u003eThea\u003c\/strong\u003e \u003cstrong style=\"font-weight: bold;\"\u003eDjordjadze\u003c\/strong\u003e, photographed by Osma Harvilahti in her studio in Berlin, is profiled by Ela Bittencourt, who reflects on the artist’s poetic understanding of architecture, materiality, and memory, where objects and places become carriers of psychological resonance. \u003cstrong style=\"font-weight: bold;\"\u003eThomas\u003c\/strong\u003e \u003cstrong style=\"font-weight: bold;\"\u003eRuff\u003c\/strong\u003e speaks with\u003cstrong style=\"font-weight: bold;\"\u003e \u003c\/strong\u003eLouisa Elderton about photography, artificial intelligence, and the mutable status of images at a moment when technological innovation is reshaping visual cultural. \u003cstrong style=\"font-weight: bold;\"\u003eAlvaro Barrington\u003c\/strong\u003e, photographed by Alice Mann in his London studio, discusses painting, collaboration, and cultural inherence in conversation with Taylor Le Melle, reflecting on the artist’s practice as a space of community, exchange, and lived experience.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cp\u003eIN THIS ISSUE → ◯ \u003cem\u003eCover Story\u003c\/em\u003e Everything it is it has. \u003cstrong\u003eThea Djordjadze\u003c\/strong\u003e by Ela Bittencourt, photographed by Osma Harvilahti. ◯ \u003cem\u003eCover Story\u003c\/em\u003e Can’t Get You Out of My Head.\u003cstrong\u003e Thomas Ruff \u003c\/strong\u003ein Conversation with Louisa Elderton. ◯ \u003cem\u003eCover Story\u003c\/em\u003e Why are all Eyez on Alvaro? \u003cstrong\u003eAlvaro Barrington\u003c\/strong\u003e in Conversation with Taylor Le Melle, photographed by Alice Mann. ◯ Life = Porridge. \u003cstrong\u003eTolia Astakhishvili \u003c\/strong\u003eby Anya Harrison. ◯ An Opera for Rebellious Currents. \u003cstrong\u003eLap-See Lam\u003c\/strong\u003e by Claire Shiying Li. ◯ \u003cem\u003eFocus On\u003c\/em\u003e \u003cstrong\u003eOslo: Holding Ground\u003c\/strong\u003e by Abirami Logendran, photography by Max Creasy. ◯ Territories. \u003cstrong\u003eVladislav Markov\u003c\/strong\u003e by Guillaume Blanc-Marianne, photography by Pavel Golik. ◯ Wall Works. \u003cstrong\u003eDora Budor \u003c\/strong\u003eby Juliette Desorgues. ◯ The Persistent Present. \u003cstrong\u003eYalda Afsah\u003c\/strong\u003e by Amy Jones ◯ \u003cem\u003eStudio Scene\u003c\/em\u003e Familiar Grounds. \u003cstrong\u003eMimmo Haraditiohadi \u003c\/strong\u003eby Otto Bonnen, documented by Avventuroso. ◯ Harsh Meditations. \u003cstrong\u003eLydia Ourahmane\u003c\/strong\u003e by Gea Politi. ◯ \u003cem\u003eUnpack \/ Reveal \/ Unleash\u003c\/em\u003e Like a River Runs. \u003cstrong\u003eArmineh Negahdari\u003c\/strong\u003e by Michela Ceruti. ◯ The place where we live. \u003cstrong\u003eMaria Toumazou\u003c\/strong\u003e by Christina Lambrou. ◯ \u003cem\u003ePortfolio\u003c\/em\u003e Leak. Visual Essay by \u003cstrong\u003eMartín Sabyno\u003c\/strong\u003e, Words by Elsa Estrella. ◯ Character Work. \u003cstrong\u003eBruno Zhu\u003c\/strong\u003e by Blake Oetting. ◯ Consider the Sauce Art. \u003cstrong\u003eEwa Poniatowska\u003c\/strong\u003e in Conversation with Tosia Leniarska.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003c!-- \/wp:paragraph --\u003e \u003c!-- wp:paragraph --\u003e\u003c\/p\u003e\n\u003cp\u003eREVIEWS→ Augustas Serapinas “Physical Culture” Nottingham Contemporary by Sofia Hallström. ◯ Nina Porter “Sample Question” Kunstverein in Hamburg by Katrin Krumm. ◯ “Call me gravity” WIELS, Brussels by Emilio Røed Marroquin. ◯ Shirana Shahbazi “All at Once. An Interplay with Li Tavor” Kunstmuseum Luzern by Annalise June Kamegawa. ◯ Miriam Cahn “Ciò che mi guarda” MACRO – Museum of Contemporary Art of Rome by Manuela Pacella. ◯ Felix Gonzalez-Torres “Sweet Revenge” Museo Reina Sofía, Madrid by Valerie Mindlin. ◯ Frida Orupabo “Cloud of Confusion” MAC\/CCB – Museu de Arte Contemporânea e Centro de Arquitetura, Lisbon by Carolina Quintela. ◯ “After Steps Through Work. Fendi \/ Karl Lagerfeld 1985” GNAMC – Galleria Nazionale d'Arte Moderna e Contemporanea, Rome.\u003c\/p\u003e\n\u003cp\u003e\u003c!-- \/wp:paragraph --\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Flash Art","offers":[{"title":"Thomas Ruff","offer_id":54811513323861,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true},{"title":"Thea Djordjadze","offer_id":54811561460053,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true},{"title":"Alvaro Barrington","offer_id":54811561492821,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0023\/0306\/6161\/files\/FA356_coverall_LR.gif?v=1788272861","url":"https:\/\/shop.flash---art.com\/products\/356-fall-2026-borders","provider":"Flash Art","version":"1.0","type":"link"}