"How do you begin to depict a feeling?" Describing her practice, artist Dana Schutz says that this is the question she continually tries to answer. In these very delicate times, it is a question we must also ask ourselves and, by extension, our readers. As part of the art community, like everyone else, we are trying to keep up with a constantly shifting reality.
The theme of this issue, put together back on the pandemic, is an examination of a new sort of figuration in painting that has emerged in recent years. That subject took on a secondary urgency, however, as authors and artists reacted to the current situation. Cover-story-artist Tala Madani worked on a special project addressing issues of fear, isolation, and illness by reporting on her own state of homebound reclusion, in conversation with artist and life partner Nathaniel Mellors.
"How do you begin to depict a feeling?" Describing her practice, artist Dana Schutz says that this is the question she continually tries to answer. In these very delicate times, it is a question we must also ask ourselves and, by extension, our readers. As part of the art community, like everyone else, we are trying to keep up with a constantly shifting reality.
The theme of this issue, put together back on the pandemic, is an examination of a new sort of figuration in painting that has emerged in recent years. That subject took on a secondary urgency, however, as authors and artists reacted to the current situation. Cover-story-artist Tala Madani worked on a special project addressing issues of fear, isolation, and illness by reporting on her own state of homebound reclusion, in conversation with artist and life partner Nathaniel Mellors.